The Five C's of Cinematography by Joseph Mascelli
Contents
- 1 Camera Angles
- 2 Continuity
- 3 Cutting
- 4 Close-ups
- 5 Composition
- 5.1 Introduction
- 5.2 Still vs Motion Picture Composition
- 5.3 Good Camera Work Begins With Composition
- 5.4 Compositional Rules
- 5.5 Compositional Language
- 5.6 Balance
- 5.7 Types of Balance
- 5.8 Unity
- 5.9 Do's and Don'ts
- 5.10 One Center of Interest
- 5.11 Eye Scan
- 5.12 Image Placement
- 5.13 Image Size
- 5.14 Integrate Composition & Camera Angles
- 5.15 Perspective
- 5.16 Backgrounds
- 5.17 Frames
- 5.18 Dynamic Composition
- 5.19 Suspenseful Composition
- 5.20 Catalog Pictures
- 5.21 Compositional Variety
- 5.22 Compose in Depth
- 5.23 Simplicity
- 5.24 Conclusion
Camera Angles
Continuity
Cutting
Close-ups
Composition
Introduction
Still vs Motion Picture Composition
Good Camera Work Begins With Composition
Compositional Rules
Compositional Language
Lines
Forms
Masses
Movements
Balance
Types of Balance
Formal Balance
symmetrical
Informal Balance
asymmetrical balance
