Difference between revisions of "Composition"
Jump to navigation
Jump to search
(Created page with "One of the Five C's of Cinematography") |
m |
||
| Line 1: | Line 1: | ||
One of the [[The Five C's of Cinematography by Joseph Mascelli|Five C's of Cinematography]] | One of the [[The Five C's of Cinematography by Joseph Mascelli|Five C's of Cinematography]] | ||
| + | |||
| + | ==Introduction== | ||
| + | ==Still vs Motion Picture Composition== | ||
| + | ==Good Camera Work Begins With Composition== | ||
| + | ==Compositional Rules== | ||
| + | ==Compositional Language== | ||
| + | ===Lines=== | ||
| + | ===Forms=== | ||
| + | ===Masses=== | ||
| + | ===Movements=== | ||
| + | ==Balance== | ||
| + | ==Types of Balance== | ||
| + | ===Formal Balance=== | ||
| + | symmetrical | ||
| + | ===Informal Balance=== | ||
| + | asymmetrical balance | ||
| + | ===Informal Balance with Odd Numbers=== | ||
| + | ===Gravity influences Balance=== | ||
| + | ==Unity== | ||
| + | ==Do's and Don'ts== | ||
| + | ==One Center of Interest== | ||
| + | ===Positioning Center of Interest=== | ||
| + | ===Attracting or Switching Center of Interest=== | ||
| + | ====Position Movement Action & Sound==== | ||
| + | ====Lighting, Tonal Value & Colors==== | ||
| + | ====Selective Focusing==== | ||
| + | ==Eye Scan== | ||
| + | ==Image Placement== | ||
| + | ==Image Size== | ||
| + | ==Integrate Composition & Camera Angles== | ||
| + | ==Perspective== | ||
| + | ===Linear Perspective=== | ||
| + | ===Aerial Perspective=== | ||
| + | ===How to increase perspective effects=== | ||
| + | ==Backgrounds== | ||
| + | ==Frames== | ||
| + | ===Frame Requirements=== | ||
| + | ===Distinct Frame Separation Necessary=== | ||
| + | ===Partial Frames=== | ||
| + | ===Frame Focus=== | ||
| + | ===Frame Movement=== | ||
| + | ===Frames Can Aid Storytelling=== | ||
| + | ==Dynamic Composition== | ||
| + | ==Suspenseful Composition== | ||
| + | ==Catalog Pictures== | ||
| + | ==Compositional Variety== | ||
| + | ==Compose in Depth== | ||
| + | ==Simplicity== | ||
| + | ==Conclusion== | ||
Latest revision as of 01:37, 27 January 2021
One of the Five C's of Cinematography
Contents
- 1 Introduction
- 2 Still vs Motion Picture Composition
- 3 Good Camera Work Begins With Composition
- 4 Compositional Rules
- 5 Compositional Language
- 6 Balance
- 7 Types of Balance
- 8 Unity
- 9 Do's and Don'ts
- 10 One Center of Interest
- 11 Eye Scan
- 12 Image Placement
- 13 Image Size
- 14 Integrate Composition & Camera Angles
- 15 Perspective
- 16 Backgrounds
- 17 Frames
- 18 Dynamic Composition
- 19 Suspenseful Composition
- 20 Catalog Pictures
- 21 Compositional Variety
- 22 Compose in Depth
- 23 Simplicity
- 24 Conclusion
Introduction
Still vs Motion Picture Composition
Good Camera Work Begins With Composition
Compositional Rules
Compositional Language
Lines
Forms
Masses
Movements
Balance
Types of Balance
Formal Balance
symmetrical
Informal Balance
asymmetrical balance
